Milligan Library Life

by the staff of P.H. Welshimer Memorial Library & Seminary Library

New Books and Media Received (May 2011)

The following Books and DVDs (16 items) were received into the Library collection through the Acquisitions Budget during May 2011. These were the last orders before the close of the fiscal year, and include the purchase of several Bible commentary sets for the Reference collection, including the Anchor Yale Bible (Old and New Testament), Ancient Christian Commentary on Scripture (Old and New Testament), and the New International Commentary on the New Testament (the Old Testament set will be added in the new fiscal year). Check availability of new titles in the Milligan Online Catalog, or come into the Library and browse the New Books Shelf.

L’albero degli zoccoli [videorecording] = The tree of wooden clogs / Gaumont … [et al.] ; un film scritto e diretto da Ermanno Olmi. Port Washington, NY : KOCH Lorber Films, [2004].

The Anchor Yale Bible. New Haven ; London : Yale University Press, 2008-

Ancient Christian commentary on Scripture. New Testament / general editor, Thomas C. Oden. Downers Grove, Ill. : InterVarsity Press, c1998-

Ancient Christian commentary on Scripture : Old Testament / edited by Andrew Louth in collaboration with Marco Conti ; general editor, Thomas C. Oden. Downers Grove, IL : InterVarsity Press, c2001-

Arrowsmith / Sinclair Lewis. San Diego : Harcourt Brace Jovanovich, [1990], c1924.

Battle for the Bible [videorecording] / a Pioneer production for Thirteen/WNET New York in association with Channel 4 and Jerusalem Productions ; produced and directed by David Wilson. [New York] : Educational Broadcasting Corp. and Pioneer Productions ; [Alexandria, Va.] : Distributed by PBS Home Video, c2007.

Classic plays from the Negro Ensemble Company / Paul Carter Harrison & Gus Edwards, editors. Pittsburgh : University of Pittsburgh Press, c1995.

East of Eden / John Steinbeck. New York : Penguin Books, 2002.

Elisabeth of Berlin [videorecording]  / a film by Steven D. Martin ; story by Manfred Galius. [United States] : Vital Visions, Inc., c2008.

The girl who leapt through time [videorecording] / director, Mamoru Hosoda. [United States] : Bandai Entertainment, 2008.

The Gospel of Matthew / R.T. France. Grand Rapids, Mich. : William B. Eerdmans Pub., 2007.

The new Spoon River. Introd. by Willis Barnstone. New York, Macmillan [1968].

Parsifal / by Richard Wagner. New York : Dover, 1986.

The plays of Eugene O’Neill. New York : Modern Library, 1982.

Still I rise / Maya Angelou ; art by Diego Rivera ; edited by Linda Sunshine. New York : Random House, c2001.

Through joy and beyond [videorecording] : the life of C.S. Lewis / Bridgestone Multimedia ; a documemory film from Lord and King Associates ; written by Walter Hooper and Anthony Marchington ; produced and directed by Bob O’Donnell. Rock Rapids, IA : Alpha Omega Publications, [2005].

The following Books (5 items) were received into the Library collection as Gift Donations during May 2011

The bloody shirt : terror after Appomattox / Stephen Budiansky. New York : Viking, c2008.

Master of war : the life of General George H. Thomas / Benson Bobrick. New York : Simon & Schuster, 2009.

Out to Canaan / Jan Karon. [New York] : Penguin Books, 1998, c1997.

The plays of Eugene O’Neill. New York : Modern Library, 1982.

These high, green hills / Jan Karon. New York : Penguin Books, 1997.


Million Pennies Campaign raises $68.50 in May 2011!

Milligan College Library is proud to announce that you, our loyal library users, contributed $68.50 in cash and change to our Million Pennies Campaign in May 2011. We have now raised $3,149.56 since the start of the campaign in April 2010, which means we’ve exceeded 30% of our goal!

The Library staff would like to extend a hearty thank you to our May donors: Ermias Mekonnen, Tommy Parker, Alan Stengel, Brennan Seth Tracy, and Bob Wetzel. Remember, if you’d like us to thank you by name, please write your name down on the slips of paper in the tray next to the donation box, and we’ll let everyone know about your generosity!

Dr. Bob Wetzel is the winner of our monthly drawing. He will receive the hardcover The World Without Us by Alan Weisman. Congratulations, Dr. Wetzel!

The next prize is the paperback Tender at the Bone by Ruth Reichl. Donate to the campaign, write your name on a slip of paper, and place it in the box. On August 1st (during the lazy summer we’re combining June-July) we’ll draw a winner from the names in the box!

We still need your help in raising funds to help us reach our goal of a totally renovated library. Bring your loose change and help us get closer to $10,000. Remember, when we raise the money, we’ll allow you, the contributors, to name a study room whatever you like. Every penny helps! If you’re not familiar with the Campaign, check out original post on the library blog. And remember you can follow us on Facebook and Twitter as well. Thank you!


Summer fun with Google

Summer time is almost here (and many of our blog readers are already on summer break), so this post is devoted to some lighter fare from our friends at Google.

Google Recipes—This spring Google launched a new feature, Google Recipes. I stumbled across it when I was craving lemon meringue pie. I did a regular Google search for lemon meringue pie, then realized while scanning the recipes that I didn’t have a required ingredient, cream of tartar. I went back to revise my search and what did I see:

I could now filter my results: by ingredients that I did (or did not) have, by cook time and by calories. WOW! I quickly clicked the NO box next to cream of tartar and instantly I had a new list of recipes that did not require me to make a trip to the store. The best part is you don’t have to do anything. If you type search terms into the regular Google search box and it yields results including recipes, the recipe features automatically pops up on the left hand side of the results. I love it! And the lemon meringue pie made without cream of tartar? Delicious.

Google Doodles—I think most Google users are aware that occasionally the folks at Google play around with their logo. Google has named these Google doodles. The first Google doodle appeared in 1998, the year that Google was founded. But doodles were few and far between in the early years.

They are now appearing with much more regularity and are far more complex, and even interactive. Yet I think fewer people see them, because they use the Google toolbar which takes them directly to the requested webpage without a stop at the Google homepage. This is too bad. Some of the Google Doodles are country or region specific. To see all the doodles, including international ones, go to http://www.google.com/logos/. There are also links to the all previous doodles and a brief history of doodles.

My recent favorites are: Martha Graham’s birthday, Jules Verne’s birthday, 160th Anniversary of the first World’s Fair and Robert Bunsen’s birthday. My only complaint about the Google doodle website, is that the interactive doodles are NO LONGER interactive on the site. If you want to see the doodles in action, search YouTube for (as an example): Martha Graham Google Doodle. Enjoy!

[youtube http://www.youtube.com/watch?v=Dlj-n0ouPFo&w=560&h=349]


Introducing Bestsellers!

The library has just put a new collection on the shelf – current bestsellers! This month’s selection of ten titles (including Andrew Ferguson’s Crazy U, Tina Fey’s Bossypants, and Paula McLain’s The Paris Wife) will grow by five each month until next spring, when we will begin rotating this year’s books out and introduce new ones. These will be popular fiction and non-fiction works, generally leisure reading that we wouldn’t necessarily add to the permanent collection. We hope they’ll appeal to a wide slice of the Milligan community.

Bestsellers are available to all patrons (Milligan students, faculty, staff and alumni, Emmanuel students, and community borrowers). The check-out period for all is 14 days, with one (14 day) renewal allowed. They’re located on the “New Books” shelves, in the Reference Area.

Is there a title you’d like to see? Contact Meredith Sommers (mksommers@milligan.edu/461.8902)[slideshow]


Plato, the invention of writing, and the e-book

This post originally appeared on my now inactive blog, Voyage of the Paradigm Ship, January 19, 2009.

The following is a two-part email I sent to my good friend and colleague (he is chair of the faculty Library Committee) on March 27 and 29, 2006, after he sent me an editorial written by Edward Tenner in The New York Times, entitled “Searching for Dummies” (March 26, 2006). My friend is a history professor and an avid bibliophile. Though he has largely “come around” to my way of thinking regarding the benefits of electronic delivery of journal literature, he is far more resistive when it comes to surrendering the marvelous technology expressed as the printed book. He knows he has been socialized into this preference, but insists that a full embrace of computer and electronic information resource technology is damaging his students’ capacity to think through complex ideas in a sustained and deep way. I retort that our task should not be rejection of the technology but the instruction into its proper use, and building an awareness (understanding) both of its advantages/limitations and its impact (both good and ill) on human culture and knowledge. In my argument I drew an analogy from another ancient technology—writing itself.

Greetings. Further to our on-going conversation (print vs. electronic information resources), here is an interesting excerpt from Plato’s Phaedrus, where Socrates tells a story of the Egyptian god Theuth, the inventor of, among other things, writing. I have not read the full piece, but it is interesting here to see Plato’s critique of the losses sustained by writing (and reading) as a new technology over oral culture and true memory.

At the Egyptian city of Naucratis, there was a famous old god, whose name was Theuth; the bird which is called the Ibis is sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters [grammata=writing]. Now in those days the god Thamus was the king of the whole country of Egypt; and he dwelt in that great city of Upper Egypt which the Hellenes call Egyptian Thebes, and the god himself is called by them Ammon. Theuth came to him and showed his inventions [technas, “arts”], desiring that the other Egyptians might be allowed to have the benefit of them. Thamus enquired about their several uses, and as Theuth enumerated them, Thamus praised some of them and censured others, as he approved or disapproved of them. It would take a long time to repeat all that Thamus said to Theuth in praise or blame of the various arts [technai]. But when they came to letters [grammata], Theuth said, “This invention, O King, will make the Egyptians wiser and give them better memories; I have discovered a remedy [pharmakon: potion, medicine, drug] both for the memory and for wisdom.” Thamus replied: “O most ingenious [technikotate] Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a power opposite to that which they in fact possess. For this discovery of yours will create forgetfulness in the minds of those who learn to use it; they will not exercise their memories, but, trusting in external, foreign marks [graphes], they will not bring things to remembrance from within themselves. You have discovered a remedy [pharmakon] not for memory, but for reminding. You offer your students the appearance of wisdom, not true wisdom. They will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality.”

This is all very ironic in view of our conversation. We long ago adopted the writing technology of Theuth. We frankly no longer know what we lost through its adoption, since we have lived under its ideological assumptions for so long. Neil Postman, in his book Technolopy: The Surrender of Culture to Technology (Vintage, 1992) alludes to this story in rightly claiming the non-neutral and ideological function of every technology and technological adoption.

I have contended in our conversation that print books are every bit as much a technological invention of information transmission, and laden with ideology, as any book in electronic format. Postman urges caution, in deference to your concerns. I am not insensitive to these, of course. I am no heedless technophile any more than you are a heedless technophobe. My real point is offered by Postman where he writes: “[Thamus] would allow, I imagine, that a technology may be barred entry to a culture…But…once a technology is admitted, it plays out its hand; it does what it is designed to do. Our task is to understand what that design is—that is to say, when we admit a new technology to the culture, we must do so with our eyes wide open.” (p. 7, emphasis added)

For good or ill, electronic information technology has been admitted into our culture. Since this technology has become proliferated into every facet of our students’ lives, it no longer makes sense to bar it here at Milligan College Library as some well-meaning bulwark against the flood. That is the surest recipe for irrelevance. Yes, we can and should keep the books around and in plain sight as an act of ideological subversion. But I believe our mandate now is to fight, not by insisting that our students use the books, but by building understanding instead of heedlessness. This is the instructional role of a comprehensive program of information literacy. Data is not information; information is not knowledge; and knowledge is not yet wisdom. Wisdom comes through passionate, responsible (ethical), critical (discerning) and mature use of information, and the organization of information that forms into structures of knowledge. This, it seems to me, has always been our task. Only now we can’t take anything for granted.

* * *

Plato, by having Socrates tell this story, is engaging in a form of rhetoric. Everything here is inescapably in written form! But for Plato this is also a concession and (what we are calling “ironic” in our current conversation) really a paradox. Plato writes to critique writing! But not all writing, as not all speech, is of equal value. For Plato, writing that preserves the living dialogical (mind-to-mind conversational) nature of true human (philosophical) knowledge, and which asks more questions than it answers, is the best. Incidentally, much of Plato’s writing is construed as dialogue between great philosophical minds. But he would say that even his writing is a concession, if only because of the inherent limitations of written communication. [See Robin Waterfield’s excellent commentary on this in the section of his Introduction to Plato’s Phaedrus (Oxford World’s Classics, 2002) entitled, “Dialectic and the Weakness of Writing,” pages xxxvii-xlii.]

My original allusion to this story, and giving it out as ironic, is a technical (pun intended!) misuse of Plato’s intention. But my warrant for it (as also picked-up by Neil Postman) is that Theuth is said to have invented writing. As such, writing is unmistakably recognized as a technology. As a tool, technology requires instruction for its proper use, and (because it is not value neutral) requires an awareness (understanding) of its advantages/limitations and its impact (both good and ill) on human culture and knowledge.

I think this is really the point of Plato’s critique. I imagine Plato would prefer not to use writing in human discourse because of its inherent limitations. But paradoxically, he has no choice to use writing if he wants his ideas disseminated and preserved (for reminding, not for true memory, as Thamus notes!). So, given the inherent limitations of writing, he must instruct his readers (in the guise of the highly-esteemed Socrates) into an awareness through critique of how this technology functions, and what is the most profitable writing form—the form that best preserves dialogical nature of human knowledge.

By analogy, you (and I) have come to view the writing of and reading from printed books as the best form for preserving and engaging the accumulated ideas of human knowledge. (You may quibble on my wording, but the basic gist is there, right?) We honestly believe and assume that a living conversation is still preserved within those pages for fresh engagement. We are no longer troubled by Plato’s concerns because we have come to view the book as a most acceptable means of disseminating and preserving ideas. To us, it is no longer a mere concession. Rather, it has been (for the last several thousands of years) the primary technology for this very purpose. Praise be to Theuth for his miraculous invention!

But now, after a very lengthy and productive stint with the printed form of the book, along comes a new technology that proposes a new form—an electronic/digital form. [I’m still in analogy mode here.] How do we react to this? Well, we may sense that this new technology will, to quote Thamus, “create forgetfulness in the minds of those who learn to use it; they will not exercise their memories, but, trusting in external, foreign [virtual!] marks, they will not bring things to remembrance from within themselves.” We offer appropriate critique. To use this new technology implies a concession (but not the same level of paradox, since it still involves the use of writing [with multimedia capabilities thrown-in]). The preferred use or non-use of this technology does not (yet?) place a person in a “I have no choice” position as it did for Plato. But the use of this technology does involve certain advantages and certain limitations. And so, the use of this technology requires instruction for its proper use, and (because it is not value neutral) requires an awareness (understanding) of its advantages/limitations and its impact (both good and ill) on human culture and knowledge.

So, I would argue that Plato makes my case—though not because he is forced (paradoxically/ironically) to use writing even while critiquing it. The analogy is not in equating the move from printed book to digital book with Plato’s paradoxical move from using a pure form of human knowledge transmission (oral communication) and preservation (memory) to a compromised form through writing and (mere) reminding. The analogy, rather, is that given the invention of the electronic/digital form of the book and its inevitable/increasing use, we now need to instruct in its proper use and build an awareness of its advantages/limitations and its cultural impact. Thamus critiqued writing at its invention (in the ancient time of the myth). Plato critiques it (as it were) after long use. Thamus could warn the god of the dire unintended consequences of its use. Plato can allude to those warnings in order to offer contemporary instruction, even as he himself uses the technology!

I would say Plato was doing a form of information literacy. And so the New York Times Op-Ed piece [Edward Tenner, “Searching for Dummies,” March 26, 2006]. Information literacy is a “fighting back” strategy to the (dire?) unintended consequences of the miraculous invention called the Internet … and information resource access via electronic databases. Information literacy is instruction in the proper use and awareness-building of this new technology. What do you think?