Introducing Internet Archive’s Open Library


As part of our mission to enhance discovery of and access to useful and relevant information resources for students and faculty, Milligan Libraries is pleased to now offer an embedded search interface on our website to Internet Archive’s Open Library project.

Started in 1996 with the mission to “provide Universal Access to All Knowledge,” Internet Archive is a non-profit digital repository of internet sites and other cultural artifacts, including books and texts, video, audio, software, and images. The Open Library project focuses on books and includes two primary components: an ambitious goal to build a universal online catalog of every book ever published, and providing a platform for searching and accessing millions of book holdings within Internet Archive. By linking to Open Library, Milligan Libraries instantly expands access to a vast array of book resources for our users.

Book holdings are added to Internet Archive through the digitization of print originals from library partner collections and donations. Book holdings include popular and academic titles on numerous subjects. Of particular interest, in addition to titles in the public domain (books whose copyright has expired and are freely available to the public), Internet Archive also digitizes and provides access to more recent titles that are still under copyright. (Internet Archive currently holds well over two million digitized books. Over one million of these have been published since 2000.) This access is made possible using a framework known as controlled digital lending (CDL).

For digital lending purposes operating within the legal limits of copyright fair use, CDL conceptualizes a digitized copy of a print book owned by Internet Archive (or its library partners) as if it were a physical print book. If Internet Archive owns one print copy of a book it can lend one digitized copy. While the digital copy is lent out the print copy is not circulated. Similarly, if Internet Archive owns 10 print copies of a book, it can lend up to 10 digital copies of that book at one time. Copy protection (known as Digital Rights Management, or DRM) is applied to the digital copies to prevent duplication and control borrowing by authorized users on the Open Library platform.

Getting Ready to Use Open Library

We have added an Open Library tab to the search box widget on the Milligan Libraries website homepage. (You can also select the “Internet Archive’s Open Library” link from the Resources > Specialized Resources A-L dropdown menu to go directly to Open Library.)

Before walking through a search session on Open Library there are a few setup steps to get out of the way first.

Step 1. Create a User Account. You can search the Open Library universal catalog and read public domain books using the online web browser viewer without creating a user account. However, a user account is required if you want to borrow CDL books through the online viewer, or download books to your computer or mobile device. Think of the user account as your Open Library library card. To create a user account, click on the “Sign Up” button at the top right of any Open Library page and fill out the form (click on screenshot to enlarge):

Step 2. Create an Adobe ID. As mentioned above, CDL book files (typically formatted as PDF or EPUB) on Open Library are copy protected to prevent duplication and control lending of copyrighted content. Internet Archive authenticates DRM-ed content using Adobe ID. Create an Adobe ID by signing-in here.

Step 3. Download Adobe Digital Editions and/or Bluefire Reader book reading software. You can bypass Step 2 and this step if you simply want to read books online using Internet Archive’s own web browser reader. However, dedicated software is required if you want to be able to download and read books offline. Books borrowed from Open Library are only readable on a computer or mobile device that supports Adobe ID authentication. Adobe Digital Editions (ADE) for Windows, Mac, Android, or iOS can be freely downloaded from here. An excellent alternative, Bluefire Reader for Android or iOS, can be freely downloaded from the Google Play Store or Apple App Store. ADE and Bluefire Reader are configurable to pre-authenticate with your Adobe ID.

Searching for Books on Open Library

I have been doing some research on the sixth century Roman statesman and scholar Cassiodorus. I wonder what books by or about Cassiodorus might be available on Open Library. I type “Cassiodorus” in the Open Library search box on the Milligan Libraries website homepage.

My search resolves to this results page (click on screenshot to enlarge):

At the top I see my search resulted in 183 hits. I also notice a list of facets in the far right column for ways to limit my search results in various ways (Author, Subjects, People, Times, etc.). To the right of each short result record I see large buttons variously labeled “Not in Library,” “Read,” and “Borrow.” The “Read” and “Borrow” buttons also have a headphone icon that slides over to enable a “Listen” (text to speech) option for print disabled users.

“Not in Library” indicates that a record has been created for this book as part of the universal online catalog, but a copy (or copies) of this book is not currently available on Open Library to be read or borrowed. Of interest, if I open this record, it includes a link to preview the contents of the book, and a link that pushes to the book record in Milligan Libraries’ WorldCat Discovery platform. These are very useful features. The book preview enables me to get a sense of the value of this title for my research, and pushing me into WorldCat sets up an option for me to initiate an interlibrary loan request.

“Read” indicates that the book is available on Open Library as a public domain title. Since copyright has expired on this title, absolutely no restrictions on access are imposed. The book can be freely read or downloaded without a user account.

“Borrow” indicates that at least one digital copy of the book is available on Open Library. But since this title is still under copyright, access is controlled under the controlled digital lending (CDL) framework described above. A user account is required to read or download the book. Incidentally, if all available copies of a book are currently borrowed the button changes to “Checked Out” or “Join Waitlist,” which gives me the opportunity to borrow the book once a copy is returned and made available again.

The default view shows “Everything” that resulted from my search (in this case 183 hits). However, if I click the “Ebooks” radio button at the right of the search box, Open Library only shows me a list of books that are actually available on the platform to be read or borrowed, as in this screenshot — 22 hits (click to enlarge):

Reading an Open Library Book Using the Online Web Browser Viewer

As I scroll down the list of books available to read or borrow on Open Library I see the title of a book written by Cassiodorus that I would like to read, Institutions of Divine and Secular Learning.

I click on the “Borrow” button. Since I am not currently signed-in with my Open Library user account I am prompted to enter my credentials:

Once I click the “Log In” button, the book is launched in Internet Archive’s online web browser viewer (click on screenshot to enlarge). An active internet connection is required in order to use the browser viewer for online reading:

I use the navigation slider or page turning arrows at the bottom of the screen to work my way through the book. Alternatively, I can choose a single page vertical scroll reading option. There is also a grid view for page picking, zoom in or out, full screen toggle, and text to speech audio reader.

The magnifying glass icon at the top left is for searching within the text of the book, and the ellipses icon (…) slides out to offer bookmarking, visual adjustments, sharing, and file download options (more on this in a moment).

The banner at the top of the viewer window indicates book borrowing options, and current borrowing status:

Borrowing options depend on the number of digital copies available for lending on Open Library. If there is just one copy available the book can be borrowed for only one hour at a time. (Note: As long as I continue reading, by page turns or scrolling, I do not have to return the book within the one-hour timeframe.) If Open Library has more than one available copy of a book I can borrow it for either one hour or for 14 days. Up to 10 books can be borrowed at a time. I can keep track of my book loans from my user account page. When I am done reading a borrowed book I can click the “Return now” button, which immediately frees my copy up for someone else to borrow, or I can simply let the loan period timeout on its own.

Download an Open Library Book for Offline Reading

Open Library allows downloading of public domain (“Read”) and available CDL (“Borrow”) digital books to my computer or mobile device (phone or tablet) for offline reading. As indicated in Getting Ready to Use Open Library, Steps 2 and 3 above, this capability requires the creation of an Adobe ID and the downloading and configuration of the appropriate reader software. These steps should be completed before attempting to download book files from Open Library.

I will demonstrate downloading and offline reading using the book I already have open in the online viewer above. I will be reading the book using Adobe Digital Editions. From the ellipses icon (…) I click on the “Downloadable files” option and select between an encrypted PDF or EPUB file. (PDF files retain original book pagination, while text in an EPUB file reflows depending on font size.)

I choose the PDF option, which downloads to my computer as a file labeled URLLink.acsm. You may need to browse or search on your computer or device to locate where downloaded files typically land. Look for a file with a .acsm extension. The advantage of pre-authorizing the reader software with an Adobe ID is readily apparent because launching the .acsm file will immediately launch the book in the reader:

I navigate through the book with single page vertical scrolling. I can adjust the text width or zoom for viewing comfort, and drop bookmarks. When I click on the “Library” button at the top left, Adobe Digital Editions opens a “bookshelf” view where I can see a list of my downloaded books, and time left on my loan. By right-clicking on any title in the “bookshelf” I can return the book or remove it from my library.

This tutorial is intended to help our users get started with Open Library as a remarkable resource for digital books. If we can provide you with specific assistance please do not hesitate to reach out.

#BannedBooksWeek display highlights freedom to read

We’re celebrating American Library Association’s Banned Books Week (September 22-28, 2013) by inviting you to read books that have been deemed “pornographic,” “racist,” “obscene,” and even “un-American.”

The display shelves on the 1st floor of your Library are now home to 28 books wrapped in brown paper, with title and author information hidden. On each wrapper, you’ll find the various charges that have been leveled against that particular book (e.g., “graphic imagery” or “drug use”). What do they have in common? All of these books have been challenged or banned in US libraries or school systems in the past few years. As a point of contrast to these allegations, on the spines of the wrapped books, Library staff have written the praise each has received. You may be surprised to see how many of these controversial books or their authors have won Pulitzers, Nobels, or other prestigious awards, or have been #1 bestsellers!

The books are wrapped in paper to highlight the “dangerous” content some feel they contain, and these wrappers will stay on the books until they’re checked out. We encourage you to take a chance and check out something that will both entertain and challenge you as you come to your own conclusions.

Why celebrate banned books? Libraries serve to connect users to information–not to restrict users’ access to it. As Library professionals, we cannot deny users the right to receive the information they desire because a third party may find it morally objectionable. We uphold the First Amendment’s guarantee of freedom of speech, and the corollary right to freely receive information. Some people want to restrict your right to read whatever you want, but librarians are there to stand up for your to be informed and entertained.

You can learn more about Banned Books Week at http://www.bannedbooksweek.org, and by following the #BannedBooksWeek hashtag on Twitter. Check out how libraries around the world are taking a stand for your right to read by highlighting their controversial books.

Plato, the invention of writing, and the e-book

This post originally appeared on my now inactive blog, Voyage of the Paradigm Ship, January 19, 2009.

The following is a two-part email I sent to my good friend and colleague (he is chair of the faculty Library Committee) on March 27 and 29, 2006, after he sent me an editorial written by Edward Tenner in The New York Times, entitled “Searching for Dummies” (March 26, 2006). My friend is a history professor and an avid bibliophile. Though he has largely “come around” to my way of thinking regarding the benefits of electronic delivery of journal literature, he is far more resistive when it comes to surrendering the marvelous technology expressed as the printed book. He knows he has been socialized into this preference, but insists that a full embrace of computer and electronic information resource technology is damaging his students’ capacity to think through complex ideas in a sustained and deep way. I retort that our task should not be rejection of the technology but the instruction into its proper use, and building an awareness (understanding) both of its advantages/limitations and its impact (both good and ill) on human culture and knowledge. In my argument I drew an analogy from another ancient technology—writing itself.

Greetings. Further to our on-going conversation (print vs. electronic information resources), here is an interesting excerpt from Plato’s Phaedrus, where Socrates tells a story of the Egyptian god Theuth, the inventor of, among other things, writing. I have not read the full piece, but it is interesting here to see Plato’s critique of the losses sustained by writing (and reading) as a new technology over oral culture and true memory.

At the Egyptian city of Naucratis, there was a famous old god, whose name was Theuth; the bird which is called the Ibis is sacred to him, and he was the inventor of many arts, such as arithmetic and calculation and geometry and astronomy and draughts and dice, but his great discovery was the use of letters [grammata=writing]. Now in those days the god Thamus was the king of the whole country of Egypt; and he dwelt in that great city of Upper Egypt which the Hellenes call Egyptian Thebes, and the god himself is called by them Ammon. Theuth came to him and showed his inventions [technas, “arts”], desiring that the other Egyptians might be allowed to have the benefit of them. Thamus enquired about their several uses, and as Theuth enumerated them, Thamus praised some of them and censured others, as he approved or disapproved of them. It would take a long time to repeat all that Thamus said to Theuth in praise or blame of the various arts [technai]. But when they came to letters [grammata], Theuth said, “This invention, O King, will make the Egyptians wiser and give them better memories; I have discovered a remedy [pharmakon: potion, medicine, drug] both for the memory and for wisdom.” Thamus replied: “O most ingenious [technikotate] Theuth, the parent or inventor of an art is not always the best judge of the utility or inutility of his own inventions to the users of them. And in this instance, you who are the father of letters, from a paternal love of your own children have been led to attribute to them a power opposite to that which they in fact possess. For this discovery of yours will create forgetfulness in the minds of those who learn to use it; they will not exercise their memories, but, trusting in external, foreign marks [graphes], they will not bring things to remembrance from within themselves. You have discovered a remedy [pharmakon] not for memory, but for reminding. You offer your students the appearance of wisdom, not true wisdom. They will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality.”

This is all very ironic in view of our conversation. We long ago adopted the writing technology of Theuth. We frankly no longer know what we lost through its adoption, since we have lived under its ideological assumptions for so long. Neil Postman, in his book Technolopy: The Surrender of Culture to Technology (Vintage, 1992) alludes to this story in rightly claiming the non-neutral and ideological function of every technology and technological adoption.

I have contended in our conversation that print books are every bit as much a technological invention of information transmission, and laden with ideology, as any book in electronic format. Postman urges caution, in deference to your concerns. I am not insensitive to these, of course. I am no heedless technophile any more than you are a heedless technophobe. My real point is offered by Postman where he writes: “[Thamus] would allow, I imagine, that a technology may be barred entry to a culture…But…once a technology is admitted, it plays out its hand; it does what it is designed to do. Our task is to understand what that design is—that is to say, when we admit a new technology to the culture, we must do so with our eyes wide open.” (p. 7, emphasis added)

For good or ill, electronic information technology has been admitted into our culture. Since this technology has become proliferated into every facet of our students’ lives, it no longer makes sense to bar it here at Milligan College Library as some well-meaning bulwark against the flood. That is the surest recipe for irrelevance. Yes, we can and should keep the books around and in plain sight as an act of ideological subversion. But I believe our mandate now is to fight, not by insisting that our students use the books, but by building understanding instead of heedlessness. This is the instructional role of a comprehensive program of information literacy. Data is not information; information is not knowledge; and knowledge is not yet wisdom. Wisdom comes through passionate, responsible (ethical), critical (discerning) and mature use of information, and the organization of information that forms into structures of knowledge. This, it seems to me, has always been our task. Only now we can’t take anything for granted.

* * *

Plato, by having Socrates tell this story, is engaging in a form of rhetoric. Everything here is inescapably in written form! But for Plato this is also a concession and (what we are calling “ironic” in our current conversation) really a paradox. Plato writes to critique writing! But not all writing, as not all speech, is of equal value. For Plato, writing that preserves the living dialogical (mind-to-mind conversational) nature of true human (philosophical) knowledge, and which asks more questions than it answers, is the best. Incidentally, much of Plato’s writing is construed as dialogue between great philosophical minds. But he would say that even his writing is a concession, if only because of the inherent limitations of written communication. [See Robin Waterfield’s excellent commentary on this in the section of his Introduction to Plato’s Phaedrus (Oxford World’s Classics, 2002) entitled, “Dialectic and the Weakness of Writing,” pages xxxvii-xlii.]

My original allusion to this story, and giving it out as ironic, is a technical (pun intended!) misuse of Plato’s intention. But my warrant for it (as also picked-up by Neil Postman) is that Theuth is said to have invented writing. As such, writing is unmistakably recognized as a technology. As a tool, technology requires instruction for its proper use, and (because it is not value neutral) requires an awareness (understanding) of its advantages/limitations and its impact (both good and ill) on human culture and knowledge.

I think this is really the point of Plato’s critique. I imagine Plato would prefer not to use writing in human discourse because of its inherent limitations. But paradoxically, he has no choice to use writing if he wants his ideas disseminated and preserved (for reminding, not for true memory, as Thamus notes!). So, given the inherent limitations of writing, he must instruct his readers (in the guise of the highly-esteemed Socrates) into an awareness through critique of how this technology functions, and what is the most profitable writing form—the form that best preserves dialogical nature of human knowledge.

By analogy, you (and I) have come to view the writing of and reading from printed books as the best form for preserving and engaging the accumulated ideas of human knowledge. (You may quibble on my wording, but the basic gist is there, right?) We honestly believe and assume that a living conversation is still preserved within those pages for fresh engagement. We are no longer troubled by Plato’s concerns because we have come to view the book as a most acceptable means of disseminating and preserving ideas. To us, it is no longer a mere concession. Rather, it has been (for the last several thousands of years) the primary technology for this very purpose. Praise be to Theuth for his miraculous invention!

But now, after a very lengthy and productive stint with the printed form of the book, along comes a new technology that proposes a new form—an electronic/digital form. [I’m still in analogy mode here.] How do we react to this? Well, we may sense that this new technology will, to quote Thamus, “create forgetfulness in the minds of those who learn to use it; they will not exercise their memories, but, trusting in external, foreign [virtual!] marks, they will not bring things to remembrance from within themselves.” We offer appropriate critique. To use this new technology implies a concession (but not the same level of paradox, since it still involves the use of writing [with multimedia capabilities thrown-in]). The preferred use or non-use of this technology does not (yet?) place a person in a “I have no choice” position as it did for Plato. But the use of this technology does involve certain advantages and certain limitations. And so, the use of this technology requires instruction for its proper use, and (because it is not value neutral) requires an awareness (understanding) of its advantages/limitations and its impact (both good and ill) on human culture and knowledge.

So, I would argue that Plato makes my case—though not because he is forced (paradoxically/ironically) to use writing even while critiquing it. The analogy is not in equating the move from printed book to digital book with Plato’s paradoxical move from using a pure form of human knowledge transmission (oral communication) and preservation (memory) to a compromised form through writing and (mere) reminding. The analogy, rather, is that given the invention of the electronic/digital form of the book and its inevitable/increasing use, we now need to instruct in its proper use and build an awareness of its advantages/limitations and its cultural impact. Thamus critiqued writing at its invention (in the ancient time of the myth). Plato critiques it (as it were) after long use. Thamus could warn the god of the dire unintended consequences of its use. Plato can allude to those warnings in order to offer contemporary instruction, even as he himself uses the technology!

I would say Plato was doing a form of information literacy. And so the New York Times Op-Ed piece [Edward Tenner, “Searching for Dummies,” March 26, 2006]. Information literacy is a “fighting back” strategy to the (dire?) unintended consequences of the miraculous invention called the Internet … and information resource access via electronic databases. Information literacy is instruction in the proper use and awareness-building of this new technology. What do you think?

“When you’re used to paper rolls it takes some time to convert to turning pages of a book.”

“Medieval Helpdesk” sketch from the Øystein og jeg show from the Norwegian Broadcasting Corporation (NRK), 2007.

I originally published this post on my now mothballed blog, Voyage of the Paradigm Ship on February 22, 2009. Even two years later, I think it is a relevant commentary as we observe the technological developments of the book form on various electronic platforms.

In this video we see the medieval equivalent of the IT guy making a house call (in true Geek Squad fashion) to help walk a frustrated user through a new piece of technology. The situation is familiar to most people (especially those of us over a certain age), though the time-shift takes us off guard. That’s what makes the sketch so hilarious. Familiarity in an unfamiliar context. As a non-Norwegian-speaking person, I find this “familiarity in the midst of unfamiliarity” dynamic enhanced even further.

I imagine that many people watching this video will, in fact, identify with the described situation while thinking of an analogous modern situation, such as learning to use a computer, a new piece of software, or the latest consumer electronics gadget. But as a librarian, I am interested in the described situation itself. Although the historical time-frame is off slightly, the sketch allows me to imagine the cultural, intellectual, and (even) emotional processing that accompanied the technological transition in the form of the book from roll/scroll to codex.

With the benefit of this perspective, I can extrapolate some of the processing required as we are once again approaching a credible point of transition in book form from paper to electronic (i.e., the so-called e-book). I am not interested in speculating about the imminent demise of the ink on paper book, which I do not see. Rather, and at the risk of over-analyzing a two-and-a-half minute bit of humor, I am interested in thinking about human interaction with and reactions to technology at points of significant technological transition, such as the maturing of the e-book format, which I do think is now well underway.

The “familiarity in the midst of unfamiliarity” dynamic of the sketch allows us the space to see, by analogy, that the form of the book we all take for granted was itself a technological innovation that encountered significant resistance to adoption in the presence of an existing and presumably satisfactory alternative—the book roll. Vocal detractors to the codex as an appropriate form for literary texts were well known in first and second century Roman society.

Brother Ansgar says, “When you’re used to paper rolls it takes some time to convert to turn[ing] pages of a [book].” Familiarity to the point of taking a technology for granted is a key point exposed in the sketch and shouldn’t be missed. Adoption of any technology by a society and individuals within that society becomes complete when that technology effectively disappears as a technology—it becomes ubiquitous. That is why technological developments that disturb ubiquity are frequently met with resistance. After fifteen hundred plus years it’s easy to forget that the printed book as we have it today is still a technology, an invented thing that hasn’t always been.

Notice how this ubiquity is reflected in modern language usage. Here is a definition for the word “codex” from the New Oxford American Dictionary, 2nd Edition (2005):

Notice the phrases “in book form” and “hence a book.” The definition is offered from the standpoint of “everyone knows (is familiar with) what a book is, and a codex is like a book in its form.” This definition is not untrue. But this usage reinforces identification with what is ubiquitous, and inadvertently contributes to resistance to change. How can an e-book be a real book? I imagine that a literate person in second century Rome would vigorously reject this dictionary definition. He or she would say that while a codex might be fine for keeping a grocery list, or for children to use to practice their alphabet, it is definitely not a book! “Would you read Virgil’s Aeneid on a grocery list?!” How far off is this, really, from someone today saying, “Would you read Virgil’s Aeneid off a computer screen?!”?

I have gone to persistent pains in this post to talk about the roll/scroll, codex, printed book, and e-book as book forms. I will even throw-in a text inscribed on a clay tablet as an authentic book form. Literate Akkadians or Babylonians certainly thought so as they read the Epic of Gilgamesh! I disagree, however, with the notion that a book is only about content. It does seem significant that a book needs to have a form—needs to be in some sense a discrete object that exists as a container for its associated content. But why can’t that discrete object be a digital file accessible in virtual space at the click of a mouse, or the touch of a screen?

I know there are a raft of conscious and unconscious, social and conventional, personal and emotional associations that build-up over time to authorize a book form as ‘real’ and authentic (e.g., the dictionary definition above). But these associations are learned, as the use of any technology is learned. From the safe distance of several centuries we can laugh at Brother Ansgar for his technological difficulty with something that, to us, is so obvious. But if we laugh we’re really only laughing at ourselves. If a codex can become a ‘real’ book even if at one time it was not deemed to be so, then by analogy an e-book should be able to acquire a similar authorization. It’s just a question of time.

While writing this post I stumbled across an article by John Siracusa on Ars Technica entitled, “The once and future e-book: on reading in the digital age.” Siracusa was involved with efforts in the 1990s to get e-books adopted into the publishing and reading mainstream. Although I disagree with his contention that the book is format agnostic, and only about content, his article is otherwise very illuminating and well-worth a read. I may interact with Siracusa’s article further in a subsequent post because he addresses some of the common technological issues that have hampered the pace of wide-spread e-book adoption (like the Medieval Helpdesk producing their user manual for the codex in codex form! “Oh. We hadn’t thought about that.”).